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Iago plays the double game by appearing to befriend Cassio while at the same time setting Othello against
him.
THE SCENE
The scene begins with a bit of comedy. Even in the most serious of plays, Shakespeare used some light
relief to get the audience laughing, thus breaking the tension of the plot.
Clownish, bawdy humour was commonplace in the Elizabethan theatre, often making reference to things
like syphilis which was still a relatively unknown sickness in those days.
Indeed, it was believed to have arrived in Europe only with the voyages of discovery which visited the New
World of the Americas just before Shakespeare's time.
It is now daytime. The fracas of the previous night is but a painful memory.
Iago has already established with Cassio that he should visit Emilia and beg her to plead his case with
Desdemona and, through her, Othello.
Cassio has done so and Emilia has already made the first approach, bringing news that both Desdemona
and Othello appear to have a willing and sympathetic ear but that it will nevertheless be difficult.
Have you looked at the questions in the right column?
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TEST YOURSELF!
Read the left column and then answer the following questions:
IAGO:
You have not been a-bed, then?
CASSIO:
Why, no; the day had broke
Before we parted.
- Why has Cassio not yet gone to bed? (4)
[Need help?]
Cassio explains that it was already sunrise when he and Iago had parted company, and therefore too late
to sleep.
The reality, of course, is that he would not be able to sleep. His fight with Montano the previous night had
led to his demotion, something which would have prevented his sleeping.
Apart from the shock of this, he now also had too much to think about in attempting to win back Othello's
esteem and therefore his job.
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"I have made bold, Iago,
To send in to your wife: my suit to her
Is, that she will to virtuous Desdemona
Procure me some access."
- Explain in your own words what Cassio has said to Emilia. (2)
[Need help?]
Cassio has asked Emilia -- who is Desdemona's maid-in-waiting -- to find some way in which he might
be able to speak to Desdemona.
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"I'll devise a mean to draw the Moor
Out of the way, that your converse and business
May be more free."
- Iago tells Cassio that he will get Othello out of the way so that Cassio may speak to Desdemona.
What is his real purpose in doing this? (2)
[Need help?]
Iago wants Cassio to be able to speak to Desdemona while Othello was not there so that he (Iago) can
sow suspicion in the Moor's mind about Cassio and Desdemona having an affair.
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"The Moor replies,
That he you hurt is of great fame in Cyprus,
And great affinity, and that in wholesome wisdom
He might not but refuse you; but he protests he loves you
And needs no other suitor but his likings
To take the safest occasion by the front
To bring you in again."
- According to Emilia, what is the major problem in Cassio getting his job back? (2)
[Need help?]
Montano, whom Cassio has injured, is a leading citizen of Cyprus. It won't therefore be easy to restore
Cassio's position when the man he has injured is so important.
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- What advantage does Cassio nevertheless have? (2)
[Need help?]
Othello nevertheless likes Cassio very much and therefore would want to restore him to his former status.
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"Yet, I beseech you,
If you think fit, or that it may be done,
Give me advantage of some brief discourse
With Desdemona alone."
- What is the major danger of Cassio's plan to see Desdemona alone? (4)
[Need help?]
It is Iago's plan to put the idea into Othello's head that Cassio and Desdemona are having an affair. What
easier way to sell such a notion, therefore, but for Othello to see Cassio huddled alone with Desdemona?
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